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Moog Music Sub Phatty Analog Synthesizer

SKU: MLPSSUB01-P

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MSRP: $839.00 Was: $799.00 Price Drop! Now: $679.00 Save : $160.00 (19%)
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MSRP: $839.00 Now: $679.00 Save : $160.00 (19%)
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Fitted with 25 full-size synth action keys, 16 presets with panel mode, and a 31 knob front panel, Moog’s classic control design plugs you straight into the analog heart of this powerful new instrument.

Moog Music’s engineers have crafted the Sub Phatty’s oscillators to perform with extreme accuracy and require almost no warm-up time. Just power up, dial in your settings, and put your fingers to work on the keys to summon crisp and detailed waveforms, a vibrant and articulate sound that more than honors the rich sonic density synonymous with Moog creations.  

The Sub Phatty is the first analog synth to feature Moog’s transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. Experiment with this new circuit and unlock an undiscovered world of vivid analog tonalities.

The mixer section offers innovations of its own, including a sub oscillator that outputs a square wave one octave below Oscillator 1. Use this powerful tool as a third oscillator for added depth, or to craft your own customized incarnation of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver low-frequency content, rich with body and punch. If your goal is to sculpt analog percussion and sound effects, look no further.

The Sub Phatty features a wide range of parameters just below the surface, and all features are easily accessible from the instrument’s front panel, or via the free standalone/plugin editor. Select filter poles, assign wave mod destinations, or specify pitch bend amounts — it’s all there.

The Sub Phatty brings a fearless new voice to the Moog family of synthesizers. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration.

SUB PHATTY FEATURES:
  • Filter Velocity Sensitivity
  • Volume Velocity Sensitivity
  • Ext. Audio Level
  • Osc2 Beat Frequency
  • VCO Gate Reset
  • LFO Gate Reset
  • Pitch Bend Up Amount
  • Pitch Bend Down Amount
  • Glide Legato
  • Glide Type
  • Filter Poles
  • Wave Mod. Destination
  • LFO KB Tracking
  • LFO Range
  • Filter EG Reset
  • Amp EG Reset
  • Legato
  • Gate On/Ext.
  • MIDI Ch. In
  • MIDI Ch. Out
  • Local Control
  • 14-Bit MIDI Output
  • MIDI Path In
  • MIDI Path Out
  • MIDI Merge DIN
  • MIDI Merge USB

Make The Bass Bins Boom

5

Its noticeable differences are in the bass (compared to what your computer might offer you) it has at least ten times more detail than the simulation. Deadmau5 uses this type of machines to get the real sound you hear at the raves. Professional DJs wouldnt settle for anything less than true analog. I have met many artists who have spent thousands on modular gear who were very impressed with the performance and results from phatty, Thankyou Dr. moog. Its monophonic which means it only plays one note at a time.

Asterdose Teratogen

Riverside, CA

true

Sub Phatty Analog Synthesizer

5.0 1

100.0

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