TC Helicon VoiceTone Double Vocal Processor

TC Helicon VoiceTone Double Vocal Processor

Imagine a vocal pedal that creates up to four humanized overdubs - live! With TC-Helicon’s VoiceTone Double, overdubbed vocals can be “tight and intimate” or “loose and lively”. Double, with its timeless combination of natural and effected doubling, finally makes live vocals sound like the CD.

• Creates up to four virtual overdubs of a performer’s voice in real time
• 10 doubling banks with 3 patches each
• Uses advanced Inflection and FlexTime blocks to create a multitracked overdub sound
• Additional effects include emulations of classic microshift, chorus and detune
• Get creative and control the pitch, timing and levels of each patch
• Access two customized patches during performance with A/B parts
• XLR Mic level I/O in stereo and mono
• Clean, studio quality mic preamp with phantom power

Live Overdubbing in a Pedal
It takes skill, time and punch-ins to create a properly doubled vocal track in the studio and it’s nearly impossible to accurately create the effect in live performance. The pitch and timing cues that tell your brain how many people are singing are subtle and complex. Imagine a vocal pedal that creates up to four humanized overdubs - live! With TC-Helicon’s VoiceTone Double, overdubbed vocals can be “tight and intimate” or “loose and lively”. What’s more, TC-Helicon includes pristine emulations of classic detune, microshift and chorus effects. Double, with its timeless combination of natural and effected doubling, finally makes live vocals sound like the CD.

Take Control of Your Sound
Feel like you're wrestling with others over your sound? From the moment you plug your mic into VoiceTone Double, you're in control of the tone and effects on your voice. The straightforward controls, A/B effects switching and simple radio button preset selection give singers easy access to a rich palette of effects.

Enjoy Complete Quality
Quality can be witnessed in every aspect of VoiceTone design. Studio caliber audio algorithms, transparent converters and fastidious analog audio design lead to a smooth sound that makes you want to sing your best while your fans get, well, fanatic. It just wouldn't be enough to make products that sound this good without making sure they stand up to the rough treatment they're going to get onstage or kicking around a rehearsal room floor.

Technical Specifications

Analog Inputs
- Connectors Balanced XLR, Input Impedance 1kOhm
- Mic Input Sensitivity @ 0dBFS -44dBu to +2dBu
- Mic Input Sensitivity @ 12dB headroom -56dBu to -10dBu
- EIN -128dBu @ max. mic amp gain, Rg = 150 Ohm

Analog Outputs
- Connectors Balanced XLR
- Output Impedance 40 Ohm
- Output Level @ 0dBFS +2dBu

Input to Output Analog Audio Performance

• Dynamic Range, Mic.@ Min gain >108dB, 20 Hz - 20kHz *A-weighted
• Dynamic Range, Mic. @ -18dBu sensitivity > 104dB, 20hz - 20kHz*
• THD+ Noise, Mic. @ Min gain <-90dB
• Frequency Response, max gain -1.5dB @ 40 Hz, +0/-0.3 dB (200Hz to 20 kHz)

Conversion Characteristics

• Sample Rate 48 kHz, Converter AKM AK4620B
• AD / DA Conversion 24 bit, 128x oversampling bitstream

EMC & Safety

• Complies with EN 55103-1 and EN
• 55103-2 FCC part 15, Class B, CISPR 22, Class B
• Certified to IEC 65, EN 60065, UL6500 and CSA E60065 CSA FILE #LR108093

Environment

• Operating Temperature 32° F to 122° F (0° C to 50° C)
• Storage Temperature -22° F to 167° F (-30° C to 70° C)
• Humidity Max. 90 % non-condensing

Supplementary

• Dimensions 130mm x 132mm x 41mm (5" x 5.25" x 1.5")
• Weight 1.5 lb. (0.72 kg)
• Warranty Parts and labor 1 year