The M5 Stompbox Modeler delivers 100+ gain-defying distortions, lush choruses, scintillating reverbs and other expressive effects in a single-pedal-size stompbox. Just like the classic pedals that inspired it, M5 Stompbox Modeler runs one effect at a time. You will no longer need another pedal every time you need to add a different tonal texture.
There are no menus, saving or hassles. M5 Stompbox Modeler is stompbox simple. Tweak your tones on the fly using the dedicated knobs. When you power down your settings remain, just like a classic stompbox.
The Line6 M5 Stompbox Modeler costs less than a good, single effect pedal and delivers many times the firepower. It's stocked with inputs and outputs to integrate seamlessly into your pedal board, MIDI setup and live, studio and rehearsal scenarios. The M5 boasts rugged stompbox style construction and fits right into your gig bag for the next show.
Order your Line6 M5 Stompbox Modeler from Sam Ash Direct with the security of our 45/60 day return/price protection policy and be sure to take advantage of our fast, free shipping.
SOUNDS:• Over 100 stompbox effects
• Simple one-effect-at-a-time design
• Dedicated knobs control each effect parameter
• Tap Tempo syncs for time-based effects
HARDWARE:• Built-in chromatic tuner
• Heavy-duty all-metal chassis and footswitches
• Included DC power adapter
• Dimensions: 6"W X 2.4"H x 6.5"D – 2.5 lbs.
INS AND OUTS:• 5-pin MIDI in/out
• 1/4-inch mono or stereo inputs and outputs
• 1/4-inch expression pedal jack
• True Analog Bypass or DSP Bypass
Digital Delay A great workhorse effect, this straight-up digital delay has a transparent and pristine echo-echo-echo-echo...
Analog Echo Analog Echo is inspired by* the warm and distorted delays of a Boss® DM2 Analog Echo.
Analog w/ Mod Inspired by* the cherished tone of an Electro-Harmonix® Deluxe Memory Man, delivers an organic sounding analog delay.
Tape Echo Tape Echo is inspired by* the unmistakable depth and sweetness of the Maestro® EP-3 Echoplex.
Tape Echo Dry Your dry signal with Tape Echo repeats.
Multi-Head Multi-Head delay is inspired by* the sound created by the multiple playback heads of the Roland® RE-101 Space Echo.
Sweep Echo Add a sweeping warble to the Tube Echo repeats and you've got Sweep Echo. This unique tone adds a flavor to your delays.
Sweep Echo Dry Your dry signal with Sweep Echo repeats.
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Tube Echo Like peanut butter and chocolate, tubes and tape are a great combination. Tube Echo is inspired by* a Maestro® EP-1.
Tube Echo Dry Your dry signal with Tube Echo repeats.
Lo Res Delay Inspired by the unique grunge and noise of early digital delay units. Many of which had only 8-bit resolution.
Digital Delay w/Mod adds a juicy chorus effect to your digital delay.
Stereo Delay The secret to the "Big L.A. Solo" sound of the '80s!
Ping Pong Two separate channels of delay. The output of each channel bounces into the other to create the ping pong effect.
Dynamic Delay Dynamic Delay features a ducking control. Inspired by* a T.C. Electronic® 2290 Dynamic Digital Delay.
Auto-Volume Delay Two effects in one! A volume fade-in swell and an echo complete with tape-style wow-and-flutter modulation.
Echo Platter Inspired by* a Binson EchoRec, which inspired bands like Pink Floyd, the EchoRec used a magnetic platter instea of tape.
Echo Platter Dry Your dry signal with Echo Platter repeats.
Opto Tremolo Opto Trem is inspired by* the optical tremolo circuit that was used in the blackface Fender like the '64 Deluxe Reverb.
Bias Tremolo Bias Trem is inspired by* the 1960 Vox® AC-15 Tremolo, which got its pulse by varying the bias of the power amp tubes.
Phaser Phaser is inspired by* the sound of an MXR® Phase 90 but it's got a few extra parameters to bring you there!
Dual Phaser Dual Phaser delivers a big jet sound inspired by* a Mu-Tron® Bi-Phase.
Panned Phaser A hypnotizing phaser that slithers from side to side. Inspired by* the sound of an Ibanez® Flying Pan.
U-Vibe Inspired by* the pulsing push of the now-legendary Uni-Vibe®. One listen to "Machine Gun" and you'll be hooked!
Analog Flange Inspired by* the classic MXR® Flanger, made classic on Van Halen's Fair Warning and Women and Children First.
Jet Flanger Inspired by* the signature jet-like sweep of an A/DA Flanger.
Analog Chorus Inspired by* the big and warm tones of a Boss® CE-1 Chorus Ensemble, the original stompbox chorus.
Tri Chorus Tri Chorus is inspired by* the larger-than-life sound of a Song Bird/DyTronics Tri-Stereo Chorus.
Pitch Vibrato Inspired by* the Boss® VB-2, which contained a circuit that produced a bubbly vibrato.
Panner This effect pans back and forth between your left and right channels. If you run it in mono, it's basically tremolo.
Rotary Drum Inspired by* the Fender® Vibratone. This rotating speaker effect was popular with SRV. Think "Cold Shot."
Rotary Drum/Horn Inspired by* a Leslie® 145 tube-driven cabinet with a rotating speaker. Guitarists have always loved it!
Dimension Inspired by* the Roland® Dimension D, one of the first true-stereo chorus units. Subtle in nature and an industry standard.
Ring Modulator Perfect for those late-night jams when only the weirdest, wildest sounds will do.
Barber Pole Phaser A classic effect from the world of modular synths.
Frequency Shifter Shift frequencies up or down and set the mix to 100% for an otherworldly tone. Or dial it back to add interesting colors.
Script Phase Just add the "brown" sound and you're emulating one of rock's most celebrated guitar tones! Inspired by* an MXR® Phase 90. Speed control only, just like the original.
AC Flanger The variety of vibey effects available from AC Flanger are inspired by* the classic tones of the MXR® Flanger
80A Flanger The gritty and spacey sweeps of 80A Flanger are inspired by* the distinctive sound of the A/DA Flanger.
Pattern Tremolo Engage up to 4 tremolo patterns to play in sequence. An original textural effect inspired by* a Lightfoot Labs Goatkeeper.
Tube Drive A sweet, singing sustain craved by guitarists worldwide. Inspired by* the tone of a Chandler Tube Driver®.
Screamer Inspired by the smooth medium-gain tones of the original, Screamer is based on* an Ibanez® Tube Screamer®.
Overdrive Inspired by* a DOD® Overdrive/Preamp 250, was designed to slam the input of a tube amp forcing it to distort violently.
Classic Distortion Angry and aggressive, Classic Distortion is inspired by* a ProCo Rat.
Heavy Distortion The industry-standard heavy metal distortion of the late '80s. Inspired by* a Boss® Metal Zone.
Colordrive Back to the breeding ground of British guitar heroes. Inspired by* a Colorsound Overdriver.
Buzz Saw Take a deep breath and repeat: "I can't get no (duh, duh, duh) Satisfaction." Inspired by* a Maestro® Fuzz Tone.
Facial Fuzz Bottom-heavy distortion inspired by* the Arbiter Fuzz Face®, which is associated with the tones of Hendrix and Johnson.
Jumbo Fuzz Jumbo Fuzz delivers a bright bite reminiscent of the fuzz tones heard all over the first two Led Zeppelin records. Inspired by* a Vox® Tone Bender.
Fuzz Pi Fuzz Pi delivers plenty of thick distortion and oceans of sustain inspired by* the tone of an Electro-Harmonix® Big Muff Pi®.
Jet Fuzz Part fuzz/part phaser, Jet Fuzz delivers the best of both. Inspired by* the Roland® Jet Phaser.
Line 6 Drive Go back to the 60s and start the fuzz revolution! Inspired by* the Colorsound® Tone Bender.
Line 6 Distortion Completely saturated and over the top, Line 6 Distortion is massive and totally crazy.
Sub Octave Fuzz Biting fuzz with an octave below! Excellent for bass guitar. Inspired by* the PAiA Roctave Divider.
Octave Fuzz This classic fuzz+octave effect was used by Jimi and other pioneering players. Inspired by* the Tycobrahe® Octavia.
Boost Comp A punchy boost of gain inspired by* an MXR® Micro Amp. The compressor can add hang time & sustain to fill out leads.
Volume Pedal Expressive pedal steel-style swells that are ideal for use with a Line 6 EX-1™ Expression Pedal.
Bass Octaver This effect gives you a single clean note one octave down. Bassists love it but guitarists (including Jeff Beck) are known to bust it out, too. Inspired by* the tone of an EBS OctaBass.
12 COMPRESSORS AND EQS
Red Comp Ideal for slow leads. Inspired by* the MXR® Dyna Comp stompbox compressor.
Blue Comp Inspired by* the Boss® CS-1 Compression Sustainer (with the treble switch off).
Blue Comp Treb Inspired by* the Boss® CS-1 Compression Sustainer (with the treble switch on). Kick on this model when you want your leads to really pop!
Vetta Comp Adopted from our Vetta™ II guitar amplifier, Vetta Comp delivers a fixed compression ratio of 2.35:1 with an adjustable threshold and up to 12dB of available gain at the Level knob.
Vetta Juice A colorful boost taken from our Vetta™ II guitar amplifier, Vetta Juice pours out up to 30dB of gain at the Level knob.
Tube Comp Tube-style compression with added low-end warmth inspired by* the characteristic color of the Teletronix® LA-2A.
Noise Gate Eliminate the hiss from noisy pickups, or the white noise of extremely high-gain distortions.
Graphic EQ A five-band graphic inspired by* the MXR® ten-band graphic equalizer, an integral part of Randy Rhoads's sound.
Studio EQ Featuring a constant Q and soft clipping output with level control, Studio EQ is inspired by* an API® 550B.
Parametric EQ This EQ is complete with a high shelf, a low shelf and a fully parametric band.
4 Band Shift EQ A typical four-band graphic EQ with a twist: the shifter can move the lower bands lower and the higher bands higher.
Mid Focus EQ A high-pass and a low-pass each with frequency and gain control used together to create a band-pass.
Tron Up Part Auto Wah and part triggered filter. Inspired by* the Mu-Tron® III envelope follower.
Tron Down Part Auto Wah and part triggered filter. Inspired by* the Mu-Tron® III envelope follower.
Seeker Up to nine "parked" wah filters set at varying positions and then used in sequence to create a pulsating, hypnotic vibe. Inspired by* the Z-Vex Seek Wah.
Obi Wah Obi Wah creates sequential changes in tone by emphasizing random frequencies. Inspired by* the Oberheim® Voltage Controlled sample-and-hold filter.
Voice Box Let your guitar Come Alive with the sound of a classic talk box. Inspired by vocoders, vocal tracts and surgical tubing.
V Tron Your guitar "speaks" with an almost human voice in response to your playing. Inspired by* Voice Box and a Mu-Tron® III.
Throbber Perfect for a multitude of cool electronica-style sounds and textures, Throbber is inspired by* the Electrix® Filter Factory. Spin Cycle This is what headphone mixes were made for! Imagine two wahs panned left and right working in opposite directions from each other. Inspired by* Craig Anderton's Wah/Anti-Wah.
Comet Trails Spooky and otherworldly, Comet Trails provides an enchanting pulse for you to add to your tone.
Slow Filter This triggered filter rolls off your high-end with adjustable speeds.
Octisynth Not to be missed, Octisynth provides textures that are equally at home in a mad scientist's laboratory or miles below sea level among its eight-armed namesake.
Synth-O-Matic Synth-O-Matic features waveforms from a mouth-watering collection of vintage analog synths.
Attack Synth Inspired by* a waveform and wave-shaping functions of a Korg® X911 Guitar Synth
Synth String A monophonic synth sound inspired by* the Roland® GR700 Guitar Synth.
Growler Named Growler for a reason, this model produces a sinister "Grrrrrrrrr" that's inspired by* a Roland® GR700 Guitar Synth and a Mu-Tron® III.
Q Filter Your very own parked wah! Let your solos soar with the colorful "honk" that became a signature tone of Mark Knopfler and Brian May.
Vetta Wah Our interpretation of the classic wah sound. Connect a Line 6 EX-1™ Expression Pedal to take advantage of this effect. Adopted from our Vetta™ II guitar amplifier.
Fassel Fassel is inspired by* a CryBaby® Super, which is coveted for the mojo of its Fasel inductor.
Weeper Inspired by* the Arbiter Cry Baby®, this model is a variation with a different inductor and other component choices.
Chrome Inspired by* the classic '60s sound of a Vox® V847, Chrome comes complete with the legendary growl of the original.
Chrome Custom Inspired by* the sound of a modded Vox® V847 with tweaked gain staging on the first transistor stage, an aftermarket inductor, the Q widened and replaced with a 470k po