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# Three-note "shell" voicings and special derived comp voicings
# Compete triad review including all close and open inversions on all strings
# A section on developing "walking" guitar voicings, harmonized bass lines perfect for accompaniment in situations where no bass or keyboard is present
# Sections on triad applications such as "slash" chords, Upper Structures, hexatonic triad-pairs and special "hybrid" voicings
# Quartal and Secundal voicings perfect for modal comping and soloing
# Drop-2 reductions perfect for melody harmonizations
# Envious of pianists using lush "Shearing" style block chords? Here's a complete method to develop a realistic simulation on guitar.
# Plus much more! Hundreds and hundreds of examples in both music notation and guitar grids.