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The solid-body NS Cello, designed by Ned Steinberger, is now available in the affordable CR Series. This remarkable instrument, available with 4, 5 or 6-strings, is able to produce the delicate and precise tones of its acoustic parent as well as to create exciting new sounds through the tone shaping geometry of its innovative Polar™ piezo pickup system.
Three interchangeable support systems provide new performance options. A fully adjustable tripod stand can be used seated or standing. The inventive shoulder strap system allows full mobility, while the conventional end pin stand provides the traditional points of cello contact and position.
The use of standard cello strings and scale length establishes a familiar starting point for the cellist’s journey to the electric world. From there anything goes. The energetic response of the NS Cello can be tamed to deliver a traditional cello tone, or set loose to explore new territory.
SOLID MAPLE BODY AND NECK: The NS Cello is crafted of European maple, with a flame maple face. This solid-body design develops a rich multi-dimensional tone free from the constraints inherent in an acoustic instrument. The traditional cello scale length and neck shape have a familiar feel, while the small body allows full access to the upper register. Solid construction provides structural stability to resist changes in temperature and humidity.
EBONY FINGERBOARD: The solid ebony fingerboard is graduated for each string for ideal playing action. Cascading dot markers provide an attractive and precise reference for fingering/intonation.
POLAR PICKUP SYSTEM™: The NS Cello features the Polar TM bridge-mounted piezo pickup system. The Polar pickups can sense either vertical or lateral string vibration. Set in the vertical mode, plucked notes are remarkably even and sustained. In the lateral mode, the pickup has unparalleled sensitivity in the direction of the bow, with more attack when plucked. Attack and decay can be effectively controlled with the Polar pickup system
ACTIVE ELECTRONICS: The dual mode preamp allows the player to choose between two very distinct tone qualities. The first mode delivers the full frequency response of modern low impedance electronics, for a rich, full-blown "electric" sound. The second is balanced to produce the frequency response of the traditional cello, for a more "acoustic" sound. A three-way toggle switch allows the player to select the desired pickup and electronics options. Additional controls include volume and individual bass EQ & treble EQ controls.
THREE INTERCHANGABLE STANDS:
Tripod Stand - Supplied as standard equipment, the Tripod Stand provides stable support, with full height and tilt adjustment. The stand folds down to fit in the gig bag.
End Pin Stand - An optional End Pin Stand offers the cellist a more traditional position, similar to that of an acoustic instrument.
Shoulder Strap System - A light frame structure is supported by a single guitar style strap extending over the left shoulder. This holds the cello in the correct position for both pizz. and arco styles. With the Strap System you can achieve full mobility with amazing comfort.
PORTABILITY: The padded tubular gig bag is only 100 cm (40") long and 18 cm (7") in diameter, and weighs 4.6 kg (10 lbs) with the instrument and tripod stand. A storage area inside the gig bag has room for accessories. An optional hardshell flight case, measures 110 x 25 x 25 cm (43" x 10" x 10") and weighs 13 kg (28 lb) fully loaded with instrument & tripod stand.
Reviewed by 1 customer
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Comments about NS Design CR5 Electric 5 String Cello Outfit:
WOW! I heard a lot of good things about this cello and researched before I bought. The actual product lives up to all the great things I have heard. I LOVE the sounds it can make...AND NO WOLF TONES! And I can use my guitar's multi-effects pedal to get some neat effects. Best part? I ordered the harness also (available separately from the maker's site) and just LOVE being able to move/walk while I play. So freeing! I can't say enough. Of course this instrument wouldn't be suited for orchestra or chamber music but I use it for various styles: Folk, pop/rock, church band, pop/rock. I use it for both accompanying song and for playing solo pieces. It does a fabulous job with bass lines also (I string it with the added low F instead of high E) and I'm enjoying doing more with bass lines in songs also. It took a little getting used to to find the positions without the body of the instrument there, but it wasn't bad learning to adjust, and I can play so much easier now in higher positions. Remarkable product and while the pricetag was scary, I have absolutely no regrets and highly recommend this instrument.